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1 CHUKOVSKII, KORNEI. ďAleksandr Blok.Ē In Liudi i knigi [People and books]. Moscow: Gosudarstvennoe izdatelístvo khudozhestvennoi literatury, 520ó43. Reprint. Second revised edition, 1960.
In Russian. Includes a brief, evocative description (p. 522ó23) of Blok reading ďNeznakomkaĒ [The stranger] on the roof of Ivanovís tower. Reprinted: 1981.16.
2 DONCHIN, GEORGETTE. The Influence of French Symbolism on Russian Poetry. Slavistic Printings and Reprintings, 19. The Hague: Mouton, 76ó89, 99ó101, 112ó13 and passim.
In the context of a general attempt to determine the debt of the Russian symbolists to their French predecessors, discusses the links between Ivanovís poetics and the French symbolists with particular reference to Baudelaire, Verlaine, and Mallarmé. The chapter on symbolist aesthetics devotes attention to Ivanovís essays, considered in relation to the ideas of his contemporaries and to the polemics of 1910 between Ivanov, Blok (1910.5), Briusov (1910.6), and Belyi (1910.3). Relates Ivanovís view of the links between poetry and music to Mallarmé, Verlaine, and Wagner. Other references to topics such as Ivanovís use of nouns and irregular meter (ďdolínikiĒ) in his verse can be traced through the index. See also Kotrelev, 1985.8.
3 LO GATTO, ETTORE. ďViačeslav Ivanov.Ē In Storia della letteratura russa contemporanea. Second edition. Milan: Nuova Accademia Editrice, 96ó302.
In Italian. An account of Ivanovís life and creative development with reference to his major works. Distinguishes two principal phases in his development as a poet and connects the transition from baroque splendor to greater clarity with his increased preoccupation with Christianity, manifest at the time of the composition of Chelovek [Man]. Other references to Ivanov in connection
with Voloshin and Blok can be traced throught the index. See also Lo Gatto, 1942.1, 1944.1.
4 NUSINOV, I. M. ďKak Prometei byl ob'íiavlen pervoprichinoi zla: Viacheslav Ivanov, ĎPrometeiíĒ [How Prometheus was declared to be the prime source of evil: Viacheslav Ivanov, ďPrometheusĒ] . In Istoriia literaturnogo geroia [A history of the literary hero]. Moscow: Gosudarstvennoe izdatelístvo khudozhestvennoi literatury, 129ó37.
Reprint of 1937.6.
5 STEPUN, F. ďIvanov.Ē Translated by Piero Treves. In I protagonisti della letteratura russa dal XVIII al XX secolo. Edited by Ettore Lo Gatto. Milan: Bompiani, 791ó805.
Reprint of 1933.16, prefaced by a short biographical note and list of works. The volume also includes Ivanovís essays on Pushkin (pp. 183ó97) and Lermontov (pp. 257ó71).
6 ZENíKOVSKIJ, V. Aus der Geschichte der Ästhetischen Ideen in Russland im 19. und 20. Jahrhundert. Musagetes, 7. The Hague: Mouton, 47ó49.
In German. The fourth chapter, devoted to the aesthetics of the symbolists, opens with a discussion of Ivanovís philosophy of art, related to the ideas of V. Solovíev and to the Platonic concept of Eros. Notes that Ivanov was much closer to the German Romantics and pre-Romantics than to the French symbolists. Continues with sections on Blok, utopianism, Berdiaev, and Bulgakov.
© ›ŽŚÍÚūÓŪŪŗˇ ÔůŠŽŤÍŗŲŤˇ –¬Ń, 2010.