PHILOLOGICA
Bilingual Journal of Russian and Theoretical Philology

 Personalia 

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Annenskij (Innokentij)

• V. N. Iarxo. Iphigenia at Aulis By Innokentij Annenskij (The Ancient Greek Tragedy in the Style Moderne)
• O. Ronen. Two Acmeist Images of Unintelligible Poetry

Axmatova (Anna)

• E. V. Krisanova. Phonetic Portraits of Anna Axmatova and Boris Pasternak (Consonantism)

Baratynskij, Boratynskij (Evgenij)

• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals
• A. A. Dobricyn. Notes on the Origins of Baratynskij and Viazemskij’s Epigrams
• Mickiewicz, Boratynskij, Griboedov in M. Malinowski’s Letter to J. Lelewel. Edited, preparation of the text, introduction and notes by A. I. Feduta
• [Review of] E. A. Baratynskij, Polnoe sobranie stixotvorenij (I. A. Pil’shchikov)

Barkov (Ivan)

• A. A. Iliushin. A Belated Translation of the Erotic Priapean Ode (Alexis Piron, Ode à Priape)
• V. V. Sperantov. The Poetics of Stage Directions in Russian Tragedy of the Eighteenth and Early Nineteenth Centuries (On the Typology of Literary Movements)

Baten’kov (Gavriil)

• M. I. Shapir. The Phenomenon of Baten’kov and the Problem of Mystification (The Linguistic and Versification Aspect. 1—2)
• M. I. Shapir. The Phenomenon of Baten’kov and the Problem of Mystification (The Linguistic and Versification Aspect. 3—5)

Batiushkov (Konstantin)

• I. A. Pil’shchikov. Literary Quotations and Allusions in Batiushkov’s Letters (Comments on an Academic Commentary. 1—2)
• I. A. Pil’shchikov. Literary Quotations and Allusions in Batiushkov’s Letters (Comments on an Academic Commentary. 3—4)
• I. G. Dobrodomov. A Hungarian Obscenity in Batiushkov’s Correspondence (Supplement to a Commentary)
• I. A. Pil’shchikov. From the History of Russian-Italian Literary Relations (Batiushkov and Tasso)
• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals

Baxtin (Mixail)

• Aleksandr Romm’s Unwritten Review of Mixail Baxtin and Valentin Voloshinov’s Marxism and the Philosophy of Language. Edited, preparation of the text, introduction and notes by A. L. Beglov and N. L. Vasil’ev

Belyj (Andrej)

• The Bronze Horseman: Verse And Meaning (The Discussion of Andrej Belyj’s Book Rhythm as Dialectics in the State Academy of Artistic Sciences): [An Abstract of Boris Iarxo’s Talk and the Minutes of the Discussion]. Edited, preparation of the text, introduction and notes by M. V. Akimova and S. E. Liapin

Blok (Aleksandr)

• M. F. Mur’ianov. The Literary Début of Aleksandr Blok (A Poem About Golubinaia Kniga: Text, Context and Subtext). Afterword by A. L. Grishunin. (Appendix: unpublished memoirs of L. D. Blok)
• “Cocking Your Nose Higher Than Your Brain”, or “Why Are People Such Trash?” (Letters from Nadezhda Sanzar’ to Aleksej Suvorin, Viacheslav Ivanov, Aleksandr Blok and Aleksandr Serafimovich). Edited, preparation of the text, introduction and notes by A. A. Aksenova

Brik (Osip)

• I. Iu. Svetlikova. Osip Brik’s “Sound Repetitions” (On the Genesis of the Early Formalists’ Ideology)

Brodsky (Joseph)

• A. L. Beglov. Joseph Brodsky: the Monotony of Poetic Speech (Based on the Material of his Iambic Tetrameters)

Buchanan (George)

• A. A. Dobricyn. Epigrammatic Quotations in Eugene Onegin

Bulgakov (Mixail)

• A. E. Skvorcov. Lev Tolstoj in the Distorting Mirror of The Master and Margarita (Supplement to a Motif Analysis of Bulgakov’s Novel)

Byron (George Gordon)

M. I. Shapir. Semantic Leitmotifs of the Mock-Heroic Ottava Rima (Byron — Pushkin — Timur Kibirov)

Chernyshevskij (Nikolaj)

• D. Zubarev. “8 × 8”, or “Chernyshevskij and Chess” (Some Comments on Nabokov’s The Gift. 1—2)

Chexov (Anton)

• E. A. Gornyj. Remizov and Chexov (Materials and Prolegomena)

Ciavlovskij (Mstislav)

• A. Pushkin. The Shade of Barkov (M. A. Ciavlovskij’s Reconstruction Compared with the Recently Discovered 1821 Manuscript Copy). Edited, and preparation of the text by I. A. Pil’shchikov. Introduction by E. S. Shal’man
• M. A. Ciavlovskij. Commentaries [on Aleksandr Pushkin’s Ballad The Shade of Barkov]. Edited by E. S. Shal’man. Preparation of the text and notes by I. A. Pil’shchikov

Euripides

• V. N. Iarxo. Iphigenia at Aulis By Innokentij Annenskij (The Ancient Greek Tragedy in the Style Moderne)

Derzhavin (Gavriil)

• S. E. Liapin. Demythologizing the Rhythm of the Russian Iambic Tetrameter (Primarily on the Basis of Derzhavin’s Odic Verse)
• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals
• N. V. Percov, I. A. Pil’shchikov. “An Immortal Defamation” (On One of Pushkin’s Last Burlesque Works)

Dmitriev (Ivan)

• I. A. Pil’shchikov. On the Role of Intermediary Versions in the Genesis of a Translated Text (Dmitriev — La Harpe — Scaliger — Tibullus)

Dostoevskij (Fedor)

• O. G. Dilaktorskaia. The Skopcy and Skopchestvo in Dostoevskij’s Portrayal (Towards an Exegesis of The Landlady)

Drobecq

• A. A. Dobricyn. Notes on the Origins of Baratynskij and Viazemskij’s Epigrams

Fet (Afanasij)

• Letters from Afanasij Fet to Sergej Petrovskij and Konstantin Leont’ev. Edited, preparation of the text, introduction and notes by V. N. Abrosimova
• O. Ronen. Two Acmeist Images of Unintelligible Poetry

Fontenelle (Bernard)

• I. A. Pil’shchikov. Viazemskij and Fontenelle (Concerning the “Gallic” Roots of the Epigram on Semen Bobrov)

Gogol’ (Nikolaj)

• Nikolaj Vasil’evich Gogol’’s Dead Souls: Bibliography. 1842—1942. Compiled by K. P. Bogaevskaia. Introductions by K. P. Bogaevskaia and L. I. Timofeev
• I. S. Sidorov. Radugin and Xlestakov (Concerning One Possible Source of The Government Inspector)

Griboedov (Aleksandr)

• Mickiewicz, Boratynskij, Griboedov in M. Malinowski’s Letter to J. Lelewel. Edited, preparation of the text, introduction and notes by A. I. Feduta

Grin (Aleksandr)

• O. G. Postnov. Aleksandr Pushkin and Aleksandr Grin (At the Crossroads of One Anthroponym)

Gumilev (Nikolaj)

• O. Ronen. Two Acmeist Images of Unintelligible Poetry

Heine (Heinrich)

• O. Ronen. Two Acmeist Images of Unintelligible Poetry

Homer

• Editors’ Note [on the Controversy Surrounding the Hypothesis About the “Cosmo-Stomatic Isomorphism”]
• E. A. Krasnopevcev. The Phonics and Semantics of the Homeric Hexameter (Triadic World Structure)
• A. I. Zajcev. Concerning E. A. Krasnopevcev’s Article on the Phonics and Semantics of the Epic Hexameter
• V. V. Fajer. On the Methodology of Phonic and Semantic Investigations (Following E. A. Krasnopevcev’s Hypothesis)

Horace (Q. Horatius Flaccus)

• N. V. Percov, I. A. Pil’shchikov. “An Immortal Defamation” (On One of Pushkin’s Last Burlesque Works)

Iarxo (Boris)

• M. P. Shtokmar. Review of B. I. Iarxo’s “Distribution of Speech in the Five-Act Tragedy (On the Question of Classicism and Romanticism)” and “Rhymed Prose of Russian Interacts è Interludes” [Appendix to B. I. Iarxo’s “Distribution of Speech in the Five-Act Tragedy (On the Question of Classicism and Romanticism)”. Edited, preparation of the text, and notes by M. V. Akimova. Introduction by M. I. Shapir]
• M. V. Akimova. Boris Iarxo Polemizing Against Tynianov’s Conception of Verse Language
• M. L. Gasparov. Concerning the Criterion of Verse According to Boris Iarxo (A Note to M. V. Akimova’s Article)
• M. I. Shapir. “...Domestic Far-Back Argument...” (Boris Iarxo vs Iurij Tynianov in Their Views of the Nature and Semantics of Verse)
   
• B. I. Iarxo. Distribution of Speech in the Five-Act Tragedy (On the Question of Classicism and Romanticism). Edited, preparation of the text, and notes by M. V. Akimova. Introduction by M. I. Shapir
• B. I. Iarxo. The Comedies and Tragedies of Corneille (A Study in the Theory of Genre). Edited, preparation of the text, and notes by M. V. Akimova
• The Bronze Horseman: Verse And Meaning (The Discussion of Andrej Belyj’s Book Rhythm as Dialectics in the State Academy of Artistic Sciences): [An Abstract of Boris Iarxo’s Talk and the Minutes of the Discussion]. Edited, preparation of the text, introduction and notes by M. V. Akimova and S. E. Liapin
• A Debate on Verse and Prose at the State Academy of Artistic Sciences: [An Abstract of Boris Iarxo’s Talk and the Minutes of the Discussion]. Edited, preparation of the text and notes by M. V. Akimova

Ivanov (Viacheslav I. )

• N. A. Bogomolov. The History of One Review (Viacheslav Ivanov’s Cor ardens in the Appraisal of Mixail Kuzmin)
• “Cocking Your Nose Higher Than Your Brain”, or “Why Are People Such Trash?” (Letters from Nadezhda Sanzar’ to Aleksej Suvorin, Viacheslav Ivanov, Aleksandr Blok and Aleksandr Serafimovich). Edited, preparation of the text, introduction and notes by A. A. Aksenova

Jakobson (Roman)

• R. Jakobson. The Moscow Linguistic Circle. Edited, preparation of the text, introduction and notes by M. I. Shapir
• A. A. Shaxmatov. [Letters from Roman Jakobson’s Archive]. Edited, preparation of the text and notes by M. I. Shapir

Karpov (Pimen)

• [“Cocking Your Nose Higher Than Your Brain”, or “Why Are People Such Trash?” (Letters from Nadezhda Sanzar’ to Aleksej Suvorin, Viacheslav Ivanov, Aleksandr Blok and Aleksandr Serafimovich)]. Appendix III: [Nadezhda Sanzar’ and Pimen Karpov]. Edited, preparation of the text, introduction and notes by A. A. Aksenova

Katenin (Pavel)

• M. I. Shapir. The Hexameter and Pentameter in the Poetry of Katenin (On the Formal and Semantic Derivation of Versification Metres)
   
• P. Katenin. Amendments to the Text of Works and Translations. Edited, preparation of the text, introduction and notes by M. V. Akimova
• S. B. Rudakov. New Wordings of Katenin’s Poems (The Author’s Copy of the 1833 Works). Edited, preparation of the text, introduction and notes by M. V. Akimova

Kenigsberg (Maksim)

• M. M. Kenigsberg. From Poetological Studies. 1. Analysis of the Concept of “Verse”. Edited, and preparation of the text by S. Iu. Mazur and M. I. Shapir. Notes and introduction by M. I. Shapir

Kibirov (Timur)

• T. Iu. Kibirov, I. L. Fal’kovskij. Allusions Perdues: An Attempt at an Authorized Commentary to the Poem The Forest School
• M. I. Shapir. Semantic Leitmotifs of the Mock-Heroic Ottava Rima (Byron — Pushkin — Timur Kibirov)

Komarovskij (Vasilij)

• On the Orthography of Academic Editions of Literary Works: Concerning the Collected Works of V. A. Komarovskij (V. N. Popov)

Kushner (Aleksandr)

• A. Zholkovsky. On a Special Case of Infinitive Writing (Shershenevich — Pasternak — Kushner)

Kuzmin (Mixail)

• N. A. Bogomolov. The History of One Review (Viacheslav Ivanov’s Cor ardens in the Appraisal of Mixail Kuzmin)
• M. I. Shapir. On the Maximum Length of a Line in Vers Libre (D. A. Prigov and Others)

La Harpe (Jean-François)

• I. A. Pil’shchikov. On the Role of Intermediary Versions in the Genesis of a Translated Text (Dmitriev — La Harpe — Scaliger — Tibullus)

Lelewel (Joachim)

• Mickiewicz, Boratynskij, Griboedov in M. Malinowski’s Letter to J. Lelewel. Edited, preparation of the text, introduction and notes by A. I. Feduta

Leont’ev (Konstantin)

• Letters from Afanasij Fet to Sergej Petrovskij and Konstantin Leont’ev. Edited, preparation of the text, introduction and notes by V. N. Abrosimova

Lomonosov (Mikhail)

• M. I. Shapir. At the Dawn of the Russian Iambic Tetrameter: the Genesis and Evolution of Rhythm (On the Sociolinguistic Characteristics of Lomonosov’s Early Versification)
• The Poetics of Stage Directions in Russian Tragedy of the Eighteenth and Early Nineteenth Centuries (On the Typology of Literary Movements)
• M. Schruba. The Maiden’s Plaything Dramaturgy and the French Erotic Theatre of the First Half of the Eighteenth Century

Malinowski (Mikołaj)

• Mickiewicz, Boratynskij, Griboedov in M. Malinowski’s Letter to J. Lelewel. Edited, preparation of the text, introduction and notes by A. I. Feduta

Mandel’shtam (Osip)

• A. A. Dobricyn. He Who Found a Horseshoe: Hellenic Antiquity in Mandel’shtam’s Poetry (Supplement to a Commentary)
• M. L. Gasparov. Mandel’shtam’s The Slate Ode: the History of the Text and the History of its Meaning
• O. Ronen. Two Acmeist Images of Unintelligible Poetry
   
• “He Loved Me, but Occasionally He Was a Little Bit Unfaithful”: Nadezhda Mandel’shtam’s Marginalia on Mandel’shtam’s American Collected Works. Edited, preparation of the text, and introduction by T. M. Levina. Notes by T. M. Levina and A. T. Nikitaev

Mickiewicz (Adam)

• Mickiewicz, Boratynskij, Griboedov in M. Malinowski’s Letter to J. Lelewel. Edited, preparation of the text, introduction and notes by A. I. Feduta

Mur’ianov (Mixail)

• Bibliography of Mixail Mur’ianov’s Published Works (1959—1996). Compiled by I. V. Mur’ianova
• A. L. Grishunin. A Note on Mixail Mur’ianov and his Article [The Literary Début of Aleksandr Blok]

Nabokov (Vladimir)

• D. Zubarev. “8 × 8”, or “Chernyshevskij and Chess” (Some Comments on Nabokov’s The Gift. 1—2)
• J. Zieliński. “The Swans Are Twice the Size of the Boats” (Nabokov and Marco Polo)
• O. Ronen. Historical Modernism, Artistic Innovation and Myth-Making in Vladimir Nabokov’s System of Value Judgements
• O. Ronen. Proust’s Way in Nabokov’s Descriptive Art
   
• [Review of] V. Nabokov, Lekcii po russkoj literature: Chexov, Dostoevskij, Gogol’, Gor’kij, Tolstoj, Turgenev (A. A. Iliushin)
• [Review of] V. Nabokov, Kommentarij k romanu A. S. Pushkina “Evgenij Onegin”; V. Nabokov, Kommentarii k “Evgeniiu Oneginu” Aleksandra Pushkina (I. G. Dobrodomov, I. A. Pil’shchikov)

Panis

• A. A. Dobricyn. Notes on the Origins of Baratynskij and Viazemskij’s Epigrams

Pasternak (Boris)

• E. V. Krisanova. Phonetic Portraits of Anna Axmatova and Boris Pasternak (Consonantism)
• A. Zholkovsky. On a Special Case of Infinitive Writing (Shershenevich — Pasternak — Kushner)

Petrarca (Francesco)

• I. A. Pil’shchikov. Pushkin and Petrarch (Some Comments on Eugene Onegin)

Petrovskij (Sergej)

• Letters from Afanasij Fet to and Konstantin Leont’ev. Edited, preparation of the text, introduction and notes by V. N. Abrosimova

Piron (Alexis)

• A. A. Iliushin. A Belated Translation of the Erotic Priapean Ode (Alexis Piron, Ode à Priape)
• M. Schruba. The Maiden’s Plaything Dramaturgy and the French Erotic Theatre of the First Half of the Eighteenth Century

Prigov (Dmitrij A.)

• M. I. Shapir. On the Maximum Length of a Line in Vers Libre (D. A. Prigov and Others)

Proust (Marcel)

• O. Ronen. Proust’s Way in Nabokov’s Descriptive Art
   

Pushkin (Aleksandr)

• S. E. Liapin. The Problem of the Influence of Syntax on the Rhythm of Verse (Using the Example of Fully Stressed Trochaic Tetrameters of Pushkin’s Verse Tales)
• V. V. Sperantov. Miscellanea poetologica: 1. Was Prince Shalikov the Inventor of “the Onegin Stanza”?
• M. F. Mur’ianov. On Compound Adjectives in Pushkin and Tiutchev
• I. G. Dobrodomov. The Dumb Kizlars (from a Commentary to The Fountain of Bakhchisarai)
• I. A. Pil’shchikov. Pushkin and Petrarch (Some Comments on Eugene Onegin)
• A. B. Pen’kovskij. Riddles of Pushkin’s Text and Vocabulary (Eugene Onegin, 1, XXXVII, 13—14)
• I. S. Sidorov. Two Notes on Pushkin’s The Commander
• M. Tarlinskaja. The Syntax of the Stanza in Eugene Onegin (Analysis by the Chapter)
• M. I. Shapir. Tatiana’s Dream: Rhythm — Syntax — Meaning (Complementary Considerations)
• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals
• V. S. Listov. Autobiographical Elements in The Captain’s Daughter
• N. V. Percov, I. A. Pil’shchikov. “An Immortal Defamation” (On One of Pushkin’s Last Burlesque Works)
• M. I. Shapir. Semantic Leitmotifs of the Mock-Heroic Ottava Rima (Byron — Pushkin — Timur Kibirov)
• A. A. Dobricyn. Epigrammatic Quotations in Eugene Onegin
• I. G. Dobrodomov. A Note on the Vocabulary and Phraseology of Eugene Onegin (“A retired corsair, Morali”)
• A. I. Feduta. “An Honorable Man’s Feat” (On the Source of Pushkin’s Formula)
• O. B. Zaslavskij. Structural Paradoxes of Pushkin’s A Fragment (“Despite the great advantages...”)
• I. A. Pil’shchikov, M. I. Shapir. The Poet and the Readership in Pushkin’s Fragment “Despite the great advantages...” (Addenda to the Commentary)
   
• A. Pushkin. The Shade of Barkov (M. A. Ciavlovskij’s Reconstruction Compared with the Recently Discovered 1821 Manuscript Copy). Edited, and preparation of the text by I. A. Pil’shchikov. Introduction by E. S. Shal’man
• M. A. Ciavlovskij. Commentaries [on Aleksandr Pushkin’s Ballad The Shade of Barkov]. Edited by E. S. Shal’man. Preparation of the text and notes by I. A. Pil’shchikov
   
• [Review of] V. Nabokov, Kommentarij k romanu A. S. Pushkina “Evgenij Onegin”; V. Nabokov, Kommentarii k “Evgeniiu Oneginu” Aleksandra Pushkina (I. G. Dobrodomov, I. A. Pil’shchikov)

Racot de Grandval (Charles-François)

• M. Schruba. The Maiden’s Plaything Dramaturgy and the French Erotic Theatre of the First Half of the Eighteenth Century

Remizov (Aleksej)

• E. A. Gornyj. Remizov and Chexov (Materials and Prolegomena)

Romm A. I.

• Aleksandr Romm’s Unwritten Review of Mixail Baxtin and Valentin Voloshinov’s Marxism and the Philosophy of Language. Edited, preparation of the text, introduction and notes by A. L. Beglov and N. L. Vasil’ev

Rudakov (Segrej)

• S. B. Rudakov. New Wordings of Katenin’s Poems (The Author’s Copy of the 1833 Works). Edited, preparation of the text, introduction and notes by M. V. Akimova

Sanzar’ (Nadezhda)

• “Cocking Your Nose Higher Than Your Brain”, or “Why Are People Such Trash?” (Letters from Nadezhda Sanzar’ to Aleksej Suvorin, Viacheslav Ivanov, Aleksandr Blok and Aleksandr Serafimovich). Edited, preparation of the text, introduction and notes by A. A. Aksenova

Scaliger (Joseph)

• I. A. Pil’shchikov. On the Role of Intermediary Versions in the Genesis of a Translated Text (Dmitriev — La Harpe — Scaliger — Tibullus)

Senkovskij (Osip), Sękowski (Józef-Julian)

• Mickiewicz, Boratynskij, Griboedov in M. Malinowski’s Letter to J. Lelewel. Edited, preparation of the text, introduction and notes by A. I. Feduta

Serafimovich (Aleksandr)

• “Cocking Your Nose Higher Than Your Brain”, or “Why Are People Such Trash?” (Letters from Nadezhda Sanzar’ to Aleksej Suvorin, Viacheslav Ivanov, Aleksandr Blok and Aleksandr Serafimovich). Edited, preparation of the text, introduction and notes by A. A. Aksenova

Shalikov (Petr)

• V. V. Sperantov. Miscellanea poetologica: 1. Was Prince Shalikov the Inventor of “the Onegin Stanza”?

Shapir (Maksim)

• Maksim Il’ich Shapir (25 August 1962 — 3 August 2006) (M. V. Akimova, I. A. Pil’shchikov, M. A. Dziubenko, A. A. Iliushin, O. Ronen, N. V. Percov, A. I. Feduta, O. G. Postnov)

Shaxmatov (Aleksej)

• A. A. Shaxmatov. [Letters from Roman Jakobson’s Archive]. Edited, preparation of the text and notes by M. I. Shapir

Shershenevich (Vadim)

• A. Zholkovsky. On a Special Case of Infinitive Writing (Shershenevich — Pasternak — Kushner)
• M. I. Shapir. Concerning One Interpretation of So Called Infinitive Writing

Sumarokov (Aleksandr)

• The Poetics of Stage Directions in Russian Tragedy of the Eighteenth and Early Nineteenth Centuries (On the Typology of Literary Movements)
• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals
• M. Schruba. The Maiden’s Plaything Dramaturgy and the French Erotic Theatre of the First Half of the Eighteenth Century

Sumarokov (Pankratij)

• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals
• A. A. Dobricyn. Epigrammatic Quotations in Eugene Onegin

Suvorin (Aleksej)

• “Cocking Your Nose Higher Than Your Brain”, or “Why Are People Such Trash?” (Letters from Nadezhda Sanzar’ to Aleksej Suvorin, Viacheslav Ivanov, Aleksandr Blok and Aleksandr Serafimovich). Edited, preparation of the text, introduction and notes by A. A. Aksenova

Teffi (Nadezhda)

• [Review of] N. A. Teffi, Sobranie sochinenij, vol. 1—5 (S. I. Kniazev)

Tibullus (Albius Tibullus)

• I. A. Pil’shchikov. On the Role of Intermediary Versions in the Genesis of a Translated Text (Dmitriev — La Harpe — Scaliger — Tibullus)
• V. N. Iarxo. Letter to the Editor (Philologica, 1999/2000, vol. 6, no. 14/16)

Tiutchev (Fedor)

• M. F. Mur’ianov. On Compound Adjectives in Pushkin and Tiutchev

Tolstoj (Aleksej K.)

• Aleksej Konstantinovich Tolstoj: from German to Russian: Poems from his Letters to Karolina Pavlova, Translated by Nonna Slepakova. Introduction and notes by A. A. Iliushin

Tolstoj (Lev)

• Yusuke Sato, V. V. Sorokina. “The Little Man with a Tangled Beard” (Concerning One Symbolic Image in Anna Karenina)
• A. E. Skvorcov. Lev Tolstoj in the Distorting Mirror of The Master and Margarita (Supplement to a Motif Analysis of Bulgakov’s Novel)

Tynianov (Iurij)

• Iurij Tynianov’s Letter to Sergej Rudakov (1941). Edited, preparation of the text and notes by M. V. Akimova
   
• M. V. Akimova. Boris Iarxo Polemizing Against Tynianov’s Conception of Verse Language
• M. I. Shapir. “...Domestic Far-Back Argument...” (Boris Iarxo vs Iurij Tynianov in Their Views of the Nature and Semantics of Verse)
• A Debate on Verse and Prose at the State Academy of Artistic Sciences. Edited, preparation of the text and notes by M. V. Akimova

Uspenskij (Boris)

• [Review of] B. A. Uspenskij, Kratkij ocherk istorii russkogo literaturnogo iazyka (ÕI—ÕIÕ vv.) (M. Sh.)

Viazemskij (Petr)

• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals
• I. A. Pil’shchikov. Viazemskij and Fontenelle (Concerning the “Gallic” Roots of the Epigram on Semen Bobrov)
• A. A. Dobricyn. Notes on the Origins of Baratynskij and Viazemskij’s Epigrams
• [Review of] P. A. Viazemskij, Zapisnye knizhki (E. V. Permiakov)

Vinogradov (Viktor)

• [Review of] V. V. Vinogradov, Istoriia slov (I. G. Dobrodomov)

Voloshinov (Valentin)

• Aleksandr Romm’s Unwritten Review of Mixail Baxtin and Valentin Voloshinov’s Marxism and the Philosophy of Language. Edited, preparation of the text, introduction and notes by A. L. Beglov and N. L. Vasil’ev

Xarms (Daniil)

• A. A. Dobricyn. A “Sonnet” in Prose: the Case of Xarms
• A. A. Dobricyn. Two Notes About Xarms

Xlebnikov (Velimir)

• N. V. Percov. “The Night, Full of Constellations...”: the Synthesis of Space-Time in Xlebnikov
• D. Ioffe. The Futurist on the Margins of Islam: Urus Dervish and Gul-Mulla from the Vantage Point of Xlebnikov’s Biography and Poetics (Critical Survey and Addenda to the Commentary)

Zagorskij (Mixail)

• M. I. Shapir. Semantic Leitmotifs of the Mock-Heroic Ottava Rima (Byron — Pushkin — Timur Kibirov)

Zhukovskij (Vasilij)

• A. A. Dobricyn. Russian Epigrams of the Eighteenth and Nineteenth Centuries and Their Western European Originals